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Halloween (2017)

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Halloween

Halloween [expect an addition to the title] is a 2017 American reboot of the slasher horror film series that began in 1978 and which has generated a total of nearly $400 million in worldwide box office.

[Update 25/05/16]: Bloody Disgusting has posted the news that two genre-friendly directors – Mike Flanagan (Absentia; Hush; Oculus; Ouija 2) and Adam Wingard (A Horrible Way to Die; You’re Next; The Guest; The Woods) – are apparently in the offing for the taking on the directorial chores.

This new project replaces Halloween Returns, which had been announced for 2016 by Dimension Films and was due to be directed by Marcus Dunstan (Feast and sequels; The Collector; The Collection).

The 2017 film will be a joint production between Blumhouse, Miramax, and Trancas International Films, with Blumhouse’s Jason Blum and Trancas’ Malek Akkad (Halloween: Resurrection; Halloween [2007) and Halloween II [2009]) acting as producers.

Update: Bloody Disgusting has posted the news that two genre-friendly directors – Mike Flanagan (Absentia; Hush; Oculus; Ouija 2) and Adam Wingard (A Horrible Way to Die; You’re Next; The Guest; The Woods) – are apparently in the offing for the taking on the directorial chores.

Announcing the new movie to the press, executive producer John Carpenter said: “Thirty-eight years after the original Halloween I’m going to help to try to make the tenth sequel the scariest of them all.”

Jason Blum added: “Halloween is one of those milestone films that inspired everyone at our company to get into the world of scary movies. The great Malek Akkad and John Carpenter have a special place in the hearts of all genre fans and we are so excited that Miramax brought us together. We cannot wait to find and collaborate with the right filmmaker to give Halloween fans the movie they deserve.”

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Source: The Wrap



Cyrus: Mind of a Serial Killer (2010)

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‘Based on true events’

Cyrus – aka – Cyrus: Mind of a Serial Killer is a 2010 American horror thriller film written, produced and directed by Mark Vadik. It is also known as Cyrus: The Highway Killer.

It stars Brian Krause (Coffin Baby; Poseidon Rex; Camel Spiders), Lance Henriksen (Pumpkinhead; Stung; Hollows Grove) and Danielle Harris (Camp DreadHatchet II and III; Stake Land).

Contrary to the statement on the film’s publicity material, the film is not based a true story. However director Mark Vadik has claimed that elements of the plot were inspired by Fritz Haarmann, the “Butcher of Hanover” who terrorised boys and men in post-WWI Germany, a killer who was also the basis for M (1931) among other films.

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Plot:

An independent TV reporter and her cameraman interview a man (Lance Henriksen) in regards to a serial killer the man knew by the name of Cyrus. The man traces back through the story of the serial killer and why he became the monster he is.

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Reviews:

“There’s some slasher and torture bits, some macabre dark humor (at least I think we’re supposed to chuckle at Cyrus’s oblivious patrons eating a mysterious meat called “road kill”), and the usual serial killer psychosis. It’s also a slickly produced film rather than being obliquely grim, which means Cyrus falls somewhere between being genuinely disturbing and unusually entertaining.” Brett Gallman, Oh, the Horror!

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“There is enough gore to entertain the horror fans but it doesn’t go overboard and steers away from being gratuitous. There are also scenes interspersed throughout the film that are interviews with psychologists and doctors that look at serial killers from a medical standpoint and gives facts when they are heard are frightening and real.” Corey Danna, HorrorNews.net

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“Vadik doesn’t put a foot wrong here. Its a fine, modest little film that will please fans and non fans of the sub genre alike. It perhaps veers to close to the dreaded ‘torture’ style of horror on occasion, but never truly crosses the line into exploitation. Its violent and has some scenes I’d rather forget, but much of the horrific stuff is left to the viewers imagination.” Kyle Scott, The Horror Hotel

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“It’s got issues, but everyone is putting effort into doing something different, and it never gets too dull or repetitive thanks to the unusual structure. And any movie that gives Lance and Danielle (plus Tiffany Shepis, in a brief, almost unrecognizable role as Cyrus’ despicable mother) something different to do is worth a look for genre fans.” Brian W. Collins, Horror Movie a Day

Interview with director Mark Vadik on Dread Central

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Cast and characters:

Filming locations:

Niles and Three Oaks, Michigan, USA

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Wikipedia | IMDb


Julia X (2011)

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‘Sex. Blood. Vengeance. And that’s just the first date’

Julia X – aka Julia X 3D – is a 2011 American horror thriller produced and directed by P.J. Pettiette (Jennifer’s Shadow; Bad Dreams storylines) from a screenplay by Matt Cunningham (Decampitated; The Mangler Reborn), The film is based on Pettiette’s story outline.

Main cast:

Valerie Azlynn (Dark Awakening)
Kevin Sorbo (Piranha SharksParanormal Movie)
Alicia Leigh Willis (The Terror Experiment; Raven)
Joel David Moore (Hatchet; The Dead OneGrace: The Possession)
Ving Rhames (Dawn of the Dead [2004]; The People Under the Stairs); Piranha 3D)
Gregg Brazzel (Mountaintop Motel Massacre; Dark Breed; The Mist)
Cassie Shea Watson (Feast II: Sloppy Seconds; The Last Possession)
Saxon Sharbino (I Spit on Your Grave; Poltergeist; Bedeviled)

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Plot:

Internet dating has never been more deadly as Julia is about to find out. What starts out as a night of romance ends up being anything but as the man of Julia’s dreams, known only as The Stranger, turns out to be the sort of guy your mother warns you about…

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Trapped in The Stranger’s sights, Julia soon finds out his true identity is not the suave, smooth-talking lover but a sadistic and amoral killer who wants to play a deadly and possessive game.

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Branding his victim with a X, Julia is destined to be the next in the long line of ex-dates but unbeknownst to The Stranger, this time he has picked on the wrong girl…

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Buy: Amazon.co.uk | Amazon.com

Reviews:

” … well-wrought generic thriller fleshed out in 3D. The depth is enhanced, as well, by a multi-dimensional plot with doses of cheeky humor and verbal panache, as well as in-your-face visual thrusts that make keen use of the format. Ripped from the news pages of Craigslist killers and Internet predators, Julia X is a twisted concoction of modern-day dating dilemmas, as well as a satiric slant on the “soul mate”- delusions of naïve romancers.” Duane Byrge, The Hollywood Reporter

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” … this is really just yet another dumb slasher movie — sort of. See, it even kind of falters at that level because the body count is rather low … I’d hesitate to call this a good movie, but it’s sometimes clever and entertaining, even if it reads like a freshman year treatise on violence and feminism. Gory, tactless, but not without a keen sense of self-awareness, Julia X is stupid fun at best.” Brett Gallman, Oh, the Horror!

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“Three quarters of the movie become essentially a comedy torture-thriller, filled with humour, vicious attacks and two hot blondes. Whilst it’s mildly entertaining at the beginning, especially with the unexpected twist, it soon becomes a tired exercise with the story lulling in mid-air and leading nowhere fast.” Bat, Horror Cult Films

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” … while much of the action is verbally understated, the violence these people heap upon each other is ridiculous. It’s a staple of the genre, the serial killer as unkillable superhero, but here it’s taken to such an absurd extreme that, once again, I am unsure whether they meant it to be silly, or just don’t understand why this shouldn’t be in a serious movie.” Ben Bailey, Stupid Blue Planet

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“The humor falls flat, the cinematography and set design is hideous and cheap (two pipes show up in one of the house’s bedroom more than once, making the set look like a boiler room) and – worst of all – all the characters are unredeemable and hateful. Pettiette’s commentary on the sexes is meaningless, mean and the most misogynistic thing to hit the big screen since Deadgirl.” David Harley, Bloody Disgusting

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“Kevin Sorbo masterfully portrays a twisted serial killer and, dare I say, in a sexy way. In many of these movies we tend to get a lot of useless camera angles. The camera was placed and used perfectly – no wasted motion. The soundtrack, which is scarce as all get out, is used to great effect. We are not bombarded with useless music that acts as a “tell” of the story and/or action. The tone of the movie is dark but is full of twisted and fun dark humor.” Hack Johnson, HorrorNews.net

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IMDb | Twitter | Image credits: HorrorNews.net


The Horror Network (2013)

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‘It’s prime time for evil.’

The Horror Network aka The Horror Network Vol. 1 is a 2013 American horror anthology film written and directed by Brian Dorton, Joseph Graham, Manuel Marín, Lee Matthews, Douglas Conner and Ignacio Martín Lerma.

Main cast: 

Nick Frangione, Artem Mishin, Jan Cornet, Brian Dorton, Javier Botet, Macarena Gómez.

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Plot:

The film presents five horror stories:Screen Shot 2016-08-16 at 19.50.47

3.00 am: A woman is taunted by an unknown caller in the middle of the night.

Edward: A troubled young man sleepwalks and sometimes wakes up with blood on his hands, his therapist uses hypnosis to try and unlock the secrets inside his troubled mind. Instead, he awakens a monster.

The Quiet: When a young, deaf schoolgirl is bullied and left to walk home alone, she realizes that she’s being followed and a frantic game of cat and mouse begins.

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Merry Little Christmas: A little girl and her mother live in a bizarre world of fear and pain, unable to regain their lives after the scars left on them by the brutal beatings they’ve endured.

The Deviant One: A serial killer preys upon a teen boy that he befriends.

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Buy: Amazon.co.uk

Reviews:

“This is not amateur hour. There is serious, professional filmmaking going on here, and bright futures are ahead all involved. If you have the stomach, and are in the mood for some really dark, really thought-provoking horror, give this one a look.” Elliott Maguire, UK Horror Scene

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Horror Network is a disparate collection of hidden gems. It’s a bit uneven at times, but that’s only natural given its international flavor and multitude of contributors. If, as reported, primary creators Dorton and Douglas Connor reviewed about 200 films before settling on the final five, they certainly did their homework.” Allan Walton, Ravenous Monster

Dark and edgy with an fast pace, The Horror Network is non-stop action. Extremely well acted by the entire cast, with gritty cinematography that leaves an indelible mark on the viewer. The special effects are outstanding, and blend perfectly into each scene no matter how bizarre or gruesome.” Robyn Andrew, Cryptic Rock

IMDb | Facebook | Image credits: Cryptic Rock


The Majorettes (1986)

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Sis, boom, blood. You’re dead!’

The Majorettes – aka One by One – is a 1986 (released 1987) American exploitation slasher horror film directed by Bill Hinzman (FleshEater), best known for playing the cemetery ghoul in the opening scenes of George A. Romero’s Night of the Living Dead (1968).

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The film was written and produced by Night of the Living Dead co-scripter John A. Russo (Midnight), from his own novel.

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Plot:

In a small western Pennsylvania town, a hooded army uniform-clothed maniac is killing the members of a high school cheerleading squad. While the local sheriff and a federal officer investigate the murders, a greedy care nurse is plotting to kill her aged female employer and daughter to gain an inheritance.

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Meanwhile, the nurse’s creepy son stumbles upon a clue in the killings. The various red herrings include a local biker gang that is suspected in the killings…

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Reviews:

“The film is part standard issue slasher, another part melodramatic inheritance scheme thriller, and a big fat dollop of Rambo action revenge at the back end … It’s a disorienting but always entertaining ride because– luckily– the film handles each of its unique genres with enough aplomb and no-budget enthusiasm to earn it a pass despite all of its narrative’s logical shortfalls.” Jeffrey C., Nessun Timore

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“What we have here is a slasher who looks like G.I. Joe as he peeps on naked teens. That should be enough for a B-movie. But Hinzman takes Russo’s novel ideas and splatters them all over the screen (don’t edit your own movie, Bill). Plot twist after plot twist, mood change into mood change, this movie is a clusterfuck at times but it’s damned fun throughout.” Tavern of Terror

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“The killings are mostly bloodless and the suspense non-existent. Bill Hinzman (the first zombie in Night of the Living Dead) handles the direction fairly well but the script is pretty dumb.” Jim Harper, Legacy of Blood: A Comprehensive Guide to Slasher Movies

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“Like Russo’s Midnight (1981), this independent exploitation movie benefits from a twisted plot, marked by an especially disillusioned attitude to the police, but suffers from makeshift characterisation, amateurish performances, and inept horror action.” The Aurum Film Encyclopedia: Horror

The Majorettes is one of the odder more scatterbrained titles I have come across to date. Oddly enough, it wasn’t that bad as a whole and turned out better than it should be. There’s a lot going on here though, too much in fact. It’s pretty damn cheesy too, especially with the bad action scenes.” Ronnie Angel, Slashed Dreams: The Ultimate Guide to Slasher Films

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Choice dialogue:

Federal investigator: “You know, the killer’s not only satisfying his own warped ego. He’s punishing the girls for being young and desirable enough to turn him on. And underneath it all sex is probably ugly to him. We’re looking for a man turned insane by guilt and his own repressed sexual desires.”

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Buy: Amazon.com | Amazon.co.uk | Amazon.ca

Filming locations:

Cornell High School, Coraopolis, Pittsburgh, USA

Wikipedia | IMDb


Razors: The Return of Jack the Ripper (2016)

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‘The Ripper chose you!’

Razors: The Return of Jack the Ripper – aka Razors – is a 2016 British horror film written, produced and directed by Ian Powell (Virtual Terror) and Karl Ward for Magic Mask Pictures. 

The film is released in the US by Breaking Glass Pictures on DVD and On Demand on October 18, 2016.

Main cast:

Kunjue Li (Knights of the Damned; Ripper Street), Vincent De Paul, Kelby Keenan, Josh Myers (Death Do Us Apart); Gangsters, Guns & Zombies; Zombie Diaries 2), Andrew Shires (Horror Tales; Demon Nurses from Hell), Georgia Maguire, Khan Bonfils, Thomas Thoroe, Ian Weichardt (Freak of Nurture).

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Plot:

A young writer believes she has discovered the holy grail of terror, the knives used by Jack the Ripper for his notorious murders. Attending an intensive workshop in a haunted Victorian warehouse, run by the mysterious screenwriting guru Richard Wise she and five colleagues aim to write the ultimate horror film.

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But when the knives go missing the writers are plunged into a world of terror. Who is the little girl in the Victorian dress who haunts their dreams? and who is killing them one by one? Is it Ruth avenging womankind for the appalling Ripper murders or one of the other students trying to make their story come out on top, or is it the spirit of Jack, slowly re-assembling himself and becoming stronger with each new murder.

As the warehouse become transformed through sound and light into the Whitechapel of the 1880’s the writers must solve the mystery…

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Filming Locations:

Elektrowerkz, Islington, London, England

IMDb | Official site | Twitter | Facebook


Masters of Horror – television series (2005 – 2007)

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Masters of Horror is an American anthology-style television series created by director Mick Garris (Sleepwalkers; The Stand; Bag of Bones; Psycho IV) for the Showtime cable network.

In 2002, director Mick Garris invited some director friends to an informal dinner at a restaurant in Sherman Oaks, California.

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The original ten “masters” attending were John Carpenter, Larry Cohen, Don Coscarelli, Joe Dante, Guillermo Del Toro, Stuart Gordon, Tobe Hooper, John Landis, Bill Malone, and Garris himself.

The dinner was an extremely satisfying experience for the directors: a welcome night of camaraderie, humor and mutual admiration of one another’s work. Del Toro coined the name of the group in jest when he told a nearby diner celebrating her birthday that the “Masters of Horror” wished her a happy birthday.

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Subsequently, Garris organized regular dinners with the group and invited other horror and genre directors to attend, including Dario Argento, Eli Roth, David Cronenberg, Tim Sullivan, Rob Zombie, Bryan Singer, Fred Dekker, William Lustig, Lucky McKee, Ernest Dickerson, Kat O’Shea, Quentin Tarantino, Robert Rodriguez, James Gunn, Mary Lambert, Tom Holland, Peter Medak, Ti West, Lloyd Kaufman, and others.

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In 2005, Garris created and produced an original anthology television series of one-hour movies, written and directed by many of the “masters,” which was originally broadcast in the U.S. on the Showtime cable network. In several international territories, the films were released theatrically.

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The series debuted to excellent reviews in the U.S. on October 28, 2005 with the premiere episode “Incident On and Off a Mountain Road,” co-written and directed by Don Coscarelli, based on the short story by Joe R. Lansdale.

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The show followed an anthology series format, with each episode featuring a one-hour film directed by a well-known horror film director.

Season 1 (2005 – 2006)

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Title Directed by Written by Original air date
1 1 Incident On and Off a Mountain Road Don Coscarelli Short Story by: Joe R. Lansdale
Teleplay by: Don Coscarelli & Stephen Romano
October 28, 2005
A young woman matches wits with a deformed and sadistic serial killer on and off a remote mountain road. Based on the short story by Joe R. Lansdale
2 2 H. P. Lovecraft’s Dreams in the Witch-House Stuart Gordon Short Story by: H. P. Lovecraft
Teleplay by: Dennis Paoli & Stuart Gordon
November 4, 2005
A college student renting an old room in a boarding house discovers a plot by sinister, otherworldly forces to sacrifice his neighbour’s infant. Based on the short story by H. P. Lovecraft
3 3 Dance of the Dead Tobe Hooper Short Story by: Richard Matheson
Teleplay by: Richard Christian Matheson
November 11, 2005
A teenage girl living in a post-apocalyptic village befriends a group of rough punks who hang out at a sinister bar where reanimated corpses dance on stage.
4 4 Jenifer Dario Argento Short Story by: Bruce Jones
Teleplay by: Steven Weber
November 18, 2005
A police officer saves the life of a hideously deformed young woman, only to find himself drawn into a web of murder and self-destruction from which he finds it hard to break away.
5 5 Chocolate Mick Garris Short Story by: Mick Garris
Teleplay by: Mick Garris
November 25, 2005
A recently divorced young man begins experiencing the world through the senses of a woman he’s never met after eating a sample of chocolate. But his quest to meet her face-to-face leads to drastic consequences.
6 6 Homecoming Joe Dante Short Story by: Dale Bailey
Teleplay by: Sam Hamm
December 2, 2005
Political satire in which the reanimated corpses of soldiers killed in Iraq return in an attempt to sway the presidential election.
7 7 Deer Woman John Landis Max Landis & John Landis December 9, 2005
In this horror comedy, a police detective investigates a series of brutal murders which are committed by an ancient creature from Native American mythology.
8 8 Cigarette Burns John Carpenter Drew McWeeny & Scott Swan December 16, 2005
A man searches for the last surviving print of a rare film which allegedly drove the only audience that ever viewed it into a fit of homicidal frenzy.
9 9 Fair Haired Child William Malone Matt Greenberg January 6, 2006
A teenage outcast is kidnapped by a strange couple and locked in a basement with their son, who has a dark secret.
10 10 Sick Girl Lucky McKee Story by: Sean Hood
Teleplay by: Sean Hood and Lucky McKee
January 13, 2006
A horror comedy in which a lesbian entomologist starts a relationship with another woman, but then also finds herself involved with a rather predatory and aggressive insect.
11 11 Pick Me Up Larry Cohen Short Story by: David J. Schow
Teleplay by: David J. Schow
January 20, 2006
Two serial killers (one who kills hitchhikers, another who kills anyone who gives him a ride) clash over their latest victim.
12 12 Haeckel’s Tale John McNaughton Short Story by: Clive Barker
Teleplay by: Mick Garris
January 27, 2006
In the 1850s, a man on his way to his sick father in upstate New York, seeks shelter in a secluded cabin owned by a mysterious couple where he becomes involved in a grotesque orgy of the undead.
13 13 Imprint Takashi Miike Novel “Bokkê, kyôtê” by: Shimako Iwai
Teleplay by: Daisuke Tengan
February 25, 2006
A 19th century American tourist gets much more than he bargained for while searching for a Japanese prostitute he fell in love with years earlier.

Season 2 (2006 – 2007)

No. in
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No. in
season
Title Directed by Written by Original air date
14 1 The Damned Thing Tobe Hooper Short Story by: Ambrose Bierce
Teleplay by: Richard Christian Matheson
October 27, 2006
The apocalyptic tale of a monstrous, unseen force that devastates Sheriff Kevin Reddle’s family and terrorizes their small Texas community. Based on the short story of the same title by Ambrose Bierce.
15 2 Family John Landis Brent Hanley November 3, 2006
Tells the story of a young couple who move to a new city and soon find out that their neighbor is not what he seems.
16 3 The V Word Ernest Dickerson Mick Garris November 10, 2006
This vampire film reveals the punishment visited upon two teenage boys who make the very poor decision to break into a mortuary and encounter a real vampire.
17 4 Sounds Like Brad Anderson Short Story by: Mike O’Driscoll
Teleplay by: Brad Anderson
November 17, 2006
The story of Larry Pearce, an ordinary man blessed with gift/curse of extraordinary hearing that drives him to the brink of insanity, and forces him to take violent action to silence the horrific cacophony in his head.
18 5 Pro-Life John Carpenter Drew McWeeny and Scott Swan November 24, 2006
Pro-Life tells the story of a young pregnant girl trapped inside an abortion clinic by her murderous family, who soon discovers the only thing more dangerous than her pursuers is the demonic secret that she carries within her.
19 6 Pelts Dario Argento Short Story by: F. Paul Wilson
Teleplay by: Matt Venne
December 1, 2006
Fur trader Jake Feldman knows that you cannot make a coat without breaking a few animals’ necks. In his pursuit to make the perfect fur coat to win over a woman, Feldman steals supernatural raccoon pelts that violently turn against those that covet them.
20 7 The Screwfly Solution Joe Dante Short Story by: James Tiptree, Jr.
Teleplay by: Sam Hamm
December 8, 2006
A nightmarish plague spreads across the globe, transforming men into killers who attack every woman that crosses their paths.
21 8 Valerie on the Stairs Mick Garris Short Story by: Clive Barker
Teleplay by: Mick Garris
December 29, 2006
A novelist rents a room in a flophouse to write a novel and discovers there are fates worse than literary anonymity when he encounters a mysterious woman and a stalking demon spawned from the imagination of three tenants.
22 9 Right to Die Rob Schmidt John Esposito January 5, 2007
After walking away from an auto accident that leaves his wife in a coma and on life support, a man must decide to let his wife die. But the situation becomes more nightmarish when her vengeful spirit threatens to expose a dirty secret of his own.
23 10 We All Scream for Ice Cream Tom Holland Short Story by: John Farris
Teleplay by: David J. Schow
January 12, 2007
In the 1950s, an ice cream man in clown makeup is accidentally killed during a childhood prank gone wrong. Now, years later after the kids have grown up, his ghost returns for revenge.
24 11 The Black Cat Stuart Gordon Short Story by: Edgar Allan Poe
Teleplay by: Dennis Paoli & Stuart Gordon
January 19, 2007
In 1841 Philadelphia, Edgar Allan Poe, suffering from writer’s block and short on cash, is tormented by his wife’s black cat that will either destroy his life or inspire him to write one of his most famous stories.
25 12 The Washingtonians Peter Medak Short Story by: Bentley Little
Teleplay by: Richard Chizmar & Johnathon Schaech
January 26, 2007
A man finds his family in danger after he discovers a shocking secret about the United States of America’s founding fathers, in which a secret society is hell-bent on keeping a secret at any cost.
26 13 Dream Cruise Norio Tsuruta Short Story by: Kôji Suzuki
Teleplay by: Naoya Takayama & Norio Tsuruta
February 2, 2007
Jack, an American lawyer working in Tokyo, has fallen in love with the wife of his most valued client, Eiji. Despite Jack’s deep-rooted fear of the sea, he reluctantly accepts Eiji’s invitation to join the couple for a day trip on the Tokyo Bay. Pleasure slowly turns to terror as they discover the watery destiny in store for each of them.

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Wikipedia | IMDb

 


Dear Mr. Gacy (2010)

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Dear Mr. Gacy is a 2010 Canadian drama thriller film directed by Svetozar Ristovski from a screenplay by Kellie Madison. The film is based on Jason Moss‘s 1999 memoir, The Last Victim: A True-Life Journey into the Mind of the Serial Killer.

The focus of the film is Moss’ real-life interaction with serial killer John Wayne Gacy, who was convicted of murdering thirty-three young men and boys.

Screenwriter Kellie Madison approached Clark Peterson, executive producer of Monster (about serial killer Aileen Wuornos, 2003) to attempt to bring the Moss-Gacy story to life. It was during the course of their discussions with Moss, who was thrilled at the prospect of developing his novel into a film, that they learned of his suicide on June 6, 2006. After an appropriate period of time had passed, they approached Moss’ widow and ultimately were able to gain acceptance of the proposal, and Dear Mr. Gacy was developed.

The film stars William Forsythe (Inkubus; Halloween; The Devil’s Rejects) and Jesse Moss (Wolf CopExtraterrestrial; 13 EerieTucker & Dale vs Evil).

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Plot:

As part of his college thesis, Jason Moss (Jesse Moss), a criminology student, decides to write to John Wayne Gacy and attempt to gain his trust through impersonating a typical victim or admirer.

Moss sends a carefully crafted letter to John Wayne Gacy (William Forsythe) in prison, portraying himself as a vulnerable, sexually confused boy. The letter is an intricate plan to get inside Gacy’s head in hopes of uncovering new information regarding his murders that will aid Moss in writing a standout term paper.

The film unfolds as Gacy, suspicious at first, puts Moss through intense emotional tests via letters and collect calls, all of which leads to strained relationships with his girlfriend and family. Gacy tries to convince Moss to become a hustler, and Moss lies about having his wallet stolen by a client. After hearing that, Gacy offers to have the man’s penis cut off, saying he’s very protective of people he’s close to.

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Jason becomes paranoid, meanwhile, and has several mental attacks as he becomes increasingly crazy.

Once Gacy hears that his last appeal failed and he will be executed soon, he offers to pay for Jason to visit him in prison. Jason agrees after getting a call from the warden, who says the two will not be in the same room and there will be guards. Jason also speaks to a victim of Gacy’s who escaped, who doesn’t want him to go. After Jason arrives, he finds out he will be in the same room with Gacy and the guard leaves…

Reviews:

” … a pretty chilling recount of the relationship between Jason Moss and John Wayne Gacy with the majority of this frost coming from the performance of William Forsythe as John Wayne Gacy. I don’t know enough about Gacy to say with any certainty that Forsythe captured the essence of the serial killer, but he sure did capture the essence of a sick bastard, that’s for sure. On the rare occasion that they showed flashbacks of Gacy before he went to prison doing his… thing… it was not pleasant to watch.” Christopher Armstead, Film Critics United

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” … not nearly as thorough as the book. Despite that the story progresses faster and omits much detail, it’s one of the better serial killer movies. If you have an interest in the subject, serial killers in particular, I recommend both The Last Victim and Dear Mr. Gacy.” Loretta Sisco, Biff Bam Pop!

“The movie could definitely use some tightening; 102 minutes is pretty long for a film in which nothing happens, especially when they are sticking to the facts – we know Gacy won’t escape and come to the kid’s house or something, so after a while I just wanted them to get to the main event – Moss visiting Gacy. There are a few too many scenes of Moss arguing with his girlfriend too…” BC, Bloody Disgusting

Cast and characters:

Filming locations:

Vancouver, British Columbia

Wikipedia | IMDb



Psycho – novel (1959)

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Psycho is a suspense novel by Robert Bloch. It was first published in the United States in 1959 by Simon & Schuster. The story was adapted into Alfred Hitchcock’s seminal 1960 film of the same name. Bloch later wrote two sequels, which are unrelated to any of the film-sequels.

screen-shot-2016-10-17-at-15-09-26Ed Gein:

In November 1957 — two years before Psycho was first published — Ed Gein was arrested in his hometown of Plainfield, Wisconsin for the murders of two women. When police searched his home, they found furniture, silverware, and even clothing made of human skin and body parts. Psychiatrists examining him theorized that he was trying to make a “woman suit” to wear so he could pretend to be his dead mother, whom neighbors described as a puritan who dominated her son.

At the time of Gein’s arrest, Bloch was living 35 miles (56 km) away from Plainfield in Weyauwega. Though Bloch was not aware of the Gein case at that time, he began writing with “the notion that the man next door may be a monster unsuspected even in the gossip-ridden microcosm of small-town life.”

The novel, one of several Bloch wrote about insane killers, was almost completed when Gein and his activities were revealed, so Bloch inserted a line alluding to Gein into one of the final chapters. Bloch was surprised years later when he “discovered how closely the imaginary character I’d created resembled the real Ed Gein both in overt act and apparent motivation.”

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Buy: Amazon.co.uk

Full plot:

Norman Bates is a middle-aged bachelor who is dominated by his mother, a mean-tempered,puritanical old woman who forbids him to have a life outside of her. They run a small motel together in the town of Fairvale, but business has floundered since the state relocated the highway. In the middle of a heated argument between them, a customer arrives, a young woman named Mary Crane.

Mary is on the run after impulsively stealing $40,000 from a client of the real estate company where she works. She stole the money so her boyfriend, Sam Loomis, could pay off his debts and they could get married. Mary arrives at the Bates Motel after accidentally turning off the main highway. Exhausted, she accepts Bates’ invitation to have dinner with him at his house, an invitation that sends Mrs. Bates into a rage; she screams, “I’ll kill the bitch!”, which Mary overhears.

During dinner, Mary gently suggests that Bates put his mother in a mental institution, but he vehemently denies that there is anything wrong with her; “We all go a little mad sometimes”, he states. Mary says goodnight and returns to her room, resolving to return the money so she will not end up like Bates. Moments later in the shower, however, a figure resembling an old woman surprises her with a butcher knife, and beheads her.

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Bates, who had passed out drunk after dinner, returns to the motel and finds Mary’s bloody corpse. He is instantly convinced his mother is the murderer. He briefly considers letting her go to prison, but changes his mind after having a nightmare in which she sinks in quicksand, only to turn into him as she goes under. His mother comes to comfort him, and he decides to dispose of Mary’s body belongings and car in the swamp, and go on with life as usual.

Meanwhile, Mary’s sister, Lila, tells Sam of her sister’s disappearance. They are soon joined by Milton Arbogast, a private investigator hired by Mary’s boss to retrieve the money. Sam and Lila agree to let Arbogast lead the search for Mary. Arbogast eventually meets up with Bates, who says that Mary had left after one night; when he asks to talk with his mother, Bates refuses. This arouses Arbogast’s suspicion, and he calls Lila and tells her that he is going to try to talk to Mrs. Bates. When he enters the house, the same mysterious figure who killed Mary ambushes him in the foyer, and kills him with a razor.

Sam and Lila go to Fairvale to look for Arbogast, and meet with the town sheriff, who tells them that Mrs. Bates has been dead for years, having committed suicide by poisoning her lover and herself. The young Norman had a nervous breakdown after finding them and was sent for a time to a mental institution. Sam and Lila go to the motel to investigate. Sam distracts Bates while Lila goes to get the sheriff—but she actually proceeds up to the house to investigate on her own. There she finds various books on Occultism, Abnormal Psychology, Meta Physics, and one containing pornographic images in his bedroom, During a conversation with Sam, Bates says that his mother had only pretended to be dead, and had communicated with him while he was in the institution. Bates then tells Sam that Lila tricked him and went up to the house and that his mother was waiting for her. Bates then knocks Sam unconscious with a liquor bottle that he’d been drinking from. At the house, Lila is horrified to discover Mrs. Bates’ mummified corpse on the floor, in the fruit cellar. As she screams, a figure rushes into the room with a knife—Norman Bates, dressed in his mother’s clothes. Sam regains consciousness, enters the room and subdues Norman before he can harm Lila.

At the police station, Sam talks to a psychiatrist who had examined Bates, while the county high way crew is out dredging the swamp to uncover the automobiles revealing the bodies of Mary, Arbogast, and the countless numbers of missing persons, confirmed to be motel guests that Norman, over the years had murdered, and sometimes eaten or molested after death. Then disposed of, in the quicksand to cover up what he often considered his mother’s crimes. He learns that, years before, Bates had murdered his mother and her lover. Bates and his mother had lived together in a state of total codependence ever since his father deserted them. Along the way, Norman became a secret transvestite, and fascinated with the Occult, Spiritualism, and Satanism. When his mother took a lover named Joe Considine, Bates went over the edge with jealousy and poisoned them both, forging a suicide note in his mother’s handwriting. To suppress the guilt of matricide, he developed a split personality in which his mother became an alternate self, which abused and dominated his alternate child self as Mrs. Bates had done in life, while the third alternate adult self tried to keep both personalities concealed to continue functioning in the outside world. He stole her corpse from the cemetery and preserved it and, whenever the illusion was threatened, would drink heavily, dress in her clothes and speak to himself in her voice. He would even have sex with the corpse. The “Mother” personality killed Mary because “she” was jealous of Norman feeling affection for another woman.

Bates is found guilty of several counts of murder, cannibalism, incest, Satanism, necrophilia, and one grave robbing without trial. Declared insane, and put in a mental institution for life. Days later, the “Mother” personality completely takes over Bates’ mind; he virtually becomes his mother. In a double-twist ending, the Mother reveals she had to take over, as Norman’s personality was in fact the murderous one, and she in fact couldn’t hurt a fly.

Sequels:

Bloch wrote two sequels, Psycho II (1982) and Psycho House (1990); neither was related to the film sequels. In the novel Psycho II, Bates escapes the asylum disguised as a nun and makes his way to Hollywood. Universal Pictures allegedly did not want to film it because of its social commentary on slasher films. In the novel Psycho House, murders begin again when the Bates Motel is reopened as a tourist attraction.

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Wikipedia


Dead By Daylight – video game (2016)

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Dead by Daylight is an asymmetric survival horror video game developed by Behavior Interactive and published by Starbreeze Studios. The game was released for Microsoft Windows on June 14, 2016. Dead by Daylight sales topped one million units after just two months on sale.

In October 2016, the game’s Halloween update included Laurie Strode as a survivor and Michael Myers as a killer.

Gameplay:

A group of survivors – anywhere from one to four players (typically four) – must elude one player who is the killer in an enclosed area at night which will either be a secluded forest, an abandoned junkyard, a decrepit cornfield, or a haunted asylum. The survivors’ perspectives are third-person, while the killer’s perspective is first-person.

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Survivors:

When playing as a survivor, players assume the role of Jake Park, Meg Thomas, Dwight Fairfield, Claudette Morel, Nea Karlsson, or Laurie Strode. The goal of the survivors is to escape the enclosed area, which can be done in one of two ways: either by repairing a certain number of disabled generators (usually, the number of generators is one greater than the number of survivors playing) to provide power to switches which open large metal doors leading out of the area, or by escaping through a trapdoor (hatch) which only opens when there is one survivor left and at least two generators have been successfully repaired.

The survivors’ movement options consist of sprinting, walking, or crouch-walking. They must elude the killer by using the darkness, crouching behind objects, and hiding in buildings, foliage, or inside lockers.

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Killers:

As the killer, players assume the role of either the Trapper, the Wraith, the Hillbilly, the Nurse or Michael Myers; each of which has his own unique ability. The killer cannot run or crouch, but simply walks at a very fast pace which is slightly faster than the pace of a sprinting survivor.

When hunting the survivors, the killer must capture them by either striking them twice with his weapon (the first hit reduces the survivor to a limp, while the second hit drops them to crawling on the ground), or can grab them in one move by either catching them inside lockers, while attempting to vault over pallets or through windows, while repairing a generator, or attempting to escape through a trap door. The Hillbilly’s chainsaw attack will also drop survivors to crawling on the ground in one hit.

The killer can initially only kill the survivors by sacrificing them by placing them on one of the many meat hooks in the area and waiting for the demonic claws to eventually finish off the survivor, carrying their soul into the sky. After a player has earned enough experience points as the killer, certain single-use items can be unlocked that include the ability to finish off survivors instantly with their weapon, rather than the lengthy process of taking them to the meat hooks.

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Blood Web:

Both survivors and killers are able to unlock items, perks, and offerings through the Blood Web. Every action performed in a match gives the player a number of Bloodpoints, and the sum are added to the player’s total at the end of the match.

Each level of the Blood Web is procedurally generated, and gets larger as the character gains levels. The rewards are connected to each other in a radial tree, and players must purchase rewards along the progression path to gain access to others. Once every reward on the tree has been purchased, the Blood Web will generate a new level for the player to progress to, increasing that character’s level.

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Setting:

The game takes place across four locales (split into thirteen maps in total) which are based on the places the killers became murderers. Over time, the evilness of their actions accumulated there until it attracted the attention of the Entity, an unknown force of darkness from a place with no name. The Entity pulls those who encounter it into a purgatory of its own construction, where they must play an endless game of life or death in the Entity’s recreations. The killers, who worship the Entity, are tasked with hunting down the survivors and sacrificing them, while the survivors seek an escape from the nightmare.

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Plot:

The Entity, a supernatural being hailing from some ancient, evil place, is awakened from its slumber whenever it is summoned by actions of great violence and malice. The killers, exclusively serial murderers, are pulled out of reality by it and convinced to do its bidding. In order to maintain its existence, the Entity requires sacrifices, and demands that they hunt and kill the survivors so it can feed off their hope and steal a piece of their soul upon death. Then they are brought back to life to repeat the trial, endlessly attempting to escape.

The survivors are pulled into the Entity’s constructed world when they wander too close to the places the killers were taken from, disappearing from the real world without a trace. They end up at a lonely campfire, where they rest between trials, until a killer pursues them again. Escaping from the grounds always takes the survivors back to the campfire, and offerings can be created to be burnt at it and appeal for the Entity’s favor. Since the Entity feeds off the hope of the survivors to escape, it helps them just as much as the killers, acting as an impartial observer of the hunt, stepping in only to claim those hanged on its hooks.

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Reception:

“As players become more familiar with both roles, the horror dissipates and they begin to play for the competitive element alone. The poor matchmaking and the highly exploitable scoring system make Dead by Daylight less competitive than it should be, resulting in gameplay which doesn’t resemble the horror experience it sets out to be.” Joab Gilroy, Gamespot

“It might be short-lived and plagued by lobby issues, but Dead by Daylight is whip-smart, original, exciting and genuinely frightening. It puts you right at the centre of your own slasher movie, then asks you if you’ve got the guts and cunning to slay or survive. Only time will tell whether it can evolve into a long-term hit but, right now, it’s a terrifying new entry on the multiplayer scene.” Stuart Andrews, Trusted Reviews

“When Dead By Daylight was first launched, it was a flawed but fun game that needed a bit more work to tighten things up. Since its release, Behaviour Interactive has spent the last few months doing just that; it’s in a really good place right now. It has a healthy, active community where the player base can also go and interact with the developers on a weekly basis. All in all, Dead By Daylight is an amazing survival horror experience… Luke Lawrie, Stevivor

Wikipedia | Official site


Playing with Dolls: Bloodlust (2016)

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Playing with Dolls: Bloodlust is a 2016 American slasher horror film directed by Rene Perez (The Obsidian Curse; The Burning Dead; The Dead the Damned and the Darkness). It is a sequel to Perez’ 2015 movie Playing with Dolls.

The film has been launched in foreign territories, including Germany. In North America, it will be available on iTunes and Amazon, on November 1st in an unrated Ultra HD – 4K version.

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Main cast:

Richard Tyson (The Obsidian Curse; Soul Lake; Hayride 2), Karin Brauns (The Obsidian Curse), Colin Bryant, Elonda Seawood, Marilyn Robrahn, Andrew Espinoza Long.

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Official synopsis:

A group of aspiring actors are chosen for a reality horror TV show. In the show, they must survive being chased by a killer. The program is filmed with scores of tiny cameras, in a cabin and the surrounding forest.

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What the contestants don’t know is that this murderer is a real killer and the television program is a ruse. Deep in an underground bunker, a psychotic voyeur watches as life and death play out for his amusement. The only prize, here, is survival…

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Buy: Amazon.com

IMDb


Behind the Mask: The Rise of Leslie Vernon (2006)

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‘Freddy, Jason, Michael. We all need someone to look up to.’

Behind the Mask: The Rise of Leslie Vernon is a 2006 American mockumentary black comedy horror film directed by Scott Glosserman. It stars Nathan Baesel, Angela Goethals and Robert Englund. It follows a journalist and her film crew that is documenting an aspiring serial killer who models himself according to slasher film conventions.

The film features cameos from Zelda Rubinstein (Poltergeist franchise) and Kane Hodder (Friday the 13th).

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Plot:

A female journalist named Taylor Gentry and her two cameramen, Doug and Todd, document the preparations of Leslie Vernon as he prepares to join the ranks of other slasher villains. Leslie takes his identity from an urban legend about a boy who killed his family and was cast into a river by angry townsfolk.

He initially claims to be the vengeful spirit of the slain boy but soon admits that he is an ordinary man named Leslie Mancuso who must rely on conventional tactics rather than supernatural powers. Taylor and her crew film Leslie’s meticulous preparations to slaughter a number of teenagers in an abandoned house and then be confronted by a virginal “survivor girl”, Kelly. Taylor and her crew come to share Leslie’s enthusiasm for his project, but their consciences catch up with them on the night of the murders…

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Reviews:

screen-shot-2016-11-01-at-20-15-31“The movie has more cleverness than violence, and its breakdown of cliches is vivid and witty. Baesel is an extraordinary presence, holding the film together with his mesmerizing performance, charm and openness, and Goethals measures up to him.” Stephen Hunter, The Washington Post

“It’s a brilliant, twisted love letter to the genre that also develops an unexpected stylistic change right when you think you know where things are headed. It’s one of the most creative horror B movies of the 2000’s without a doubt.” Jim Vorel, Paste magazine

 

” …the movie morphs into exactly the sort of slashing it was previously mocking, is so hopelessly by the numbers that one couldn’t possibly care less about the outcome. There’s little doubt that the idea behind Behind the Mask: The Rise of Leslie Vernon is relatively sound (i.e. highlighting the cliches inherent in this genre), but it’s ultimately the underwhelming execution that confirms the movie’s place as an almost total misfire.” David Nusair, Reel Film Reviews

“Compared to this, Scream is pure child’s play, a wannabe that states the obvious. Behind the Mask is a pure horror film masterpiece, and slasher fans would be best to acknowledge it.” Felix Vasquez Jr., Cinema Crazed

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” …it’s Glosserman’s snarky pandering that’s most damning. Desperately overcompensating for the fact that most horror films are already parodies of themselves, Behind the Mask takes a bite out of the dumb Screamfranchise before devouring its own tail, proving that you are what you eat.” Ed Gonzalez, The Village Voice

“The script’s laughs are too widely spaced. Even before the plot takes a third-act turn into the land of kill-by-the-numbers slasher movies, the jokes drip when they should be gushing.” Kyle Smith, New York Post

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Cast and characters:

Filming locations:

Largely in Portland, Oregon and the outlying towns of Troutdale, Banks, St. Helens, Estacada, and Sauvie Island. The establishing shots of Glen Echo were filmed on Main Street in downtown Troutdale.

Wikipedia | IMDb


The Anatomy of Monsters (2014)

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The Anatomy of Monsters is a 2014 American psychological thriller directed by Byron C. Miller (Phantom Theater) from a screenplay co-written with producer Paul Morgan (director of short Ghosts in the Graveyard: Better in Black). The film’s working title was Witching Hour.

The film is released by Artsploitation Films on November 15, 2016 on DVD and VOD/streaming.

Main cast:

Tabitha Bastien, Jesse Lee Keeter, Conner Marx, Keiko Green, Meredith Binder, Asher Vast.

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Plot:

Andrew Costello (Keeter), a seemingly normal yet homicidal young man, ventures out one night in search for prey. At a lonely bar he meets Sarah (Bastien), a young woman, takes her to a hotel room, ties her up and prepares for the kill… until he discovers the woman harbors secrets far worse than even he could imagine. What unfolds is a diabolical game of cat and mouse, and a soul bearing confession of love and death…

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Reviews:

” …an unexpected atmospheric gem that is unafraid to devote much of its running time to old-fashioned dialogue. On that end, it’s definitely not a film for everyone, and likely won’t satisfy your hunger for a traditional horror romp. But if you’re in the market for an engaging character study, and can look past a few surface flaws, The Anatomy of Monsters will not disappoint.” Blair Hoyle, Cinema Slasher

screen-shot-2016-11-03-at-11-03-01“The bizarre framework for the entire love story is truly un-entertaining. The entire idea of a serial killer looking to make things work within their daily lives has been done better. Even charismatic killers exist in the forms of Dexter and Henry: Portrait of a Serial Killer. If there was more time to re-write this script idea and re-edit this movie it may have been salvageable.” Ryan Mudd, HorrorNews.net

Anatomy of Monsters isn’t an in your face horror film, but it is a subtle type of terror that slips into your mind and festers causing a great deal of unease and tension.” Ambush Bug, Ain’t It Cool News

“The sound is uneven – sometimes muffled and too loud in the same scene – and picks up room echoes on some sets. As for the score, instead of unobtrusively setting or enhancing the tone and emotion of a scene, it’s intrusive and at times seems counter to the scene’s needs. Despite the shortcomings, The Anatomy of Monsters is a good film. It’s a fascinating, well-acted, well-written study into the lives of serial killers.” Jeff Mohr, Gruesome Magazine

“As a viewer we are taken full force into the mind of a psycho, and it isn’t a fun place to be, that’s for sure, but goddamn if the folks involved don’t make it an engaging journey. I really dug the Anatomy of Monsters was cerebral, well written and acted, and really made me feel like I needed a few extra showers…” Daniel XIII, Famous Monsters of Filmland

“The cinematography is mediocre at best, with extremely shaky camera work that made me want to punch myself. It gets old quick and had me screaming tripod!!! or dolly!!! during these shots. The story certainly had potential, however the majority of it is two people talking in a hotel room with uninteresting tales to tell just didn’t do it for me.” Legless Corpse

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IMDb | Facebook


Bunnyman Vengeance (2016)

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‘Nothing will stop him’

Bunnyman Vengeance is a 2016 slasher horror film written, produced and directed by Carl Lindbergh (Bunnyman 2; Bunnyman; Shadows of the Dead). The film’s working title was Bunnyman: Suffer the Children.

The ANOC Productions film is being marketed worldwide by HighOctane Pictures.

Main cast:

Diana Prince (Toxic Tutu; Witchcraft 15: Blood Rose; Frankenstein Created Bikers), Marshal Hilton (The Raking; Teeth and Blood), Boriana Williams, Hunter Johnson (director of Serena Waits2 Jennifer), Debby Gerber (Mansion of Blood), Jake Ryan Scott, Olivia Stiefel, David Scott, Omari Washington, Nicholas McLeod, Lillia Nicole, Dalia Elliott, Michael Raymond Williams, Carl Lindbergh [as Bunnyman].

Plot:

Bunnyman returns home to find his family running a haunted house attraction. They welcome him home, but soon realize you can not domesticate a wild animal. Death and mayhem ensue as they turn on one another to fulfill their blood lust…

Filming Locations:

Corona, California, USA

IMDb | Facebook


Strangled (2016)

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‘There are no serial killers in this country! Is that clear?’

Strangled – original title: A martfüi rém – is a Hungarian psycho thriller written and directed by Árpád Sopsits, who also stars. It was produced by Gabor Ferenczy and Attila Tozser for Focus Fox Studio.

Having premiered at the Warsaw Film Festival, the film was released in Hungary on 10 November 2016 and is being sold internationally by the Hungarian National Film Fund.

Main cast:

Zsolt Anger, Rita Dévényi, Árpád Sopsits, Gábor Szabó, Zsolt Trill, Attila Tõzsér, Zsófia Szamosi, Károly Hajduk, Mónika Balsai, Zoltán Kovács, Péter Bárnai, Gabor Ferenczy, and Gábor Jászberényi.

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Official synopsis:

Based on real-life events, this psycho-thriller is set in the provincial Hungary of the 1960s, when a series of atrocious murders shock the small town of Martfü. A psychotic killer is on the prowl, who continues to slaughter young women while an innocent man is wrongly accused and sentenced for crimes he could never have committed.

A determined detective arrives on the scene and soon becomes obsessed with the case while under pressure from the prosecutor to see a man hang. Stuck in the suffocating social, political and psychological world of socialist Hungary, we soon find ourselves entangled in a web of intricate conspiracy and disturbing drama.

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Review:

“Brilliantly directed, most notably thanks to the remarkable work of director of photography Gabor Szabo, with its striking nocturnal scenes and an excellent reconstruction of the times in which these events took place, Strangled is a thriller not without formal qualities and intensity, built on a screenplay that moves forward relatively astutely along three trajectories (those of the innocent man, the investigation and the killer).” Fabien Lemercier, Cineuropa

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Filming locations:

Martfu, Hungary

IMDb | Source: Screen Anarchy



Rillington Place – TV mini-series

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Rillington Place is a 2016 British three-part BBC television mini-series about John Christie, the necrophile serial killer who murdered eight women and stowed their bodies behind the walls, under the floor, and in the yard of his Notting Hill house. It was directed by Craig Vivairos from a script by Tracey Malone and Ed Whitmore.

Before the extent of Christie’s chilling crimes were detected, Timothy Evans, an innocent man, was unjustly hung for the murder of his pregnant wife Beryl.

Tim Roth stars as John Christie. His wife Ethel is played by Samantha Morton. Nico Mirallegro and Jodie Comer play lodgers Timothy and Beryl Evans who are drawn into Christie’s dark world and pay the ultimate price…

The story of John Christie’s murder spree was previously dramatised in the 1971 film 10 Rillington Place with Michael Attenborough as the infamous multiple murderer.

Reviews:

“The sheer menace of the thing is extraordinary. The interiors are tiny, dark, oppressive. The script is minimal, elliptical … Tim Rothas Christie is an ocean of malevolence packed into one small, unassuming frame. And Samantha Morton as Ethel, upon whom the impossible truth slowly, almost imperceptibly dawns, is a world of pain entire.” Lucy Mangan, The Guardian

“The bleakness of Britain in the Forties and early Fifties was well caught by director Craig Vivairos. The depressing mise-en-scène – soot-stained brickwork and damp bubbling underneath flock wallpaper – was appropriately oppressive, as was the sparsity of the dialogue, indicating the joylessness of the Christies’ lives.” Ben Lawrence, The Telegraph

Filming locations:

Glasgow, Scotland

Wikipedia | IMDb | Related: 10 Rillington Place


The Evil Gene (2015)

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‘Evil is born… not made’

The Evil Gene is a 2015 American science fiction horror thriller film written, produced and directed by Kathryn F. Taylor, her feature debut.

screen-shot-2016-12-09-at-09-19-05Scientists studying the DNA of mass murderers have discovered a rare gene, HSS-282, that they associate with violent, psychotic behaviour. Federal prison inmates possessing this “Evil Gene” have been isolated in a remote correctional facility for further testing.

FBI Agent Griff Krenshaw is sent to investigate a grisly murder and he soon becomes convinced that a much darker force is at work within the prison walls…

Main cast:

Richard Speight Jr. (Death House; Open Water 2: Adrift; Demonic Toys), Cameron Richardson (Open Water 2: Adrift; Rise: Blood Hunter), Anthony L. Fernandez, Lindsay Ginter, Gene Gabriel, Ted Heyck, Lindsay Ayliffe, Jon-Paul Vertuccio, James Crosby, Ned Liebl, Kervens Joseph.

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Reviews:

The Evil Gene often comes off like a minor episode of The X Files, with its moody colour palette and exposition-filled mystery. Add a dash of Shutter Island and Stonehearst Asylum, and you have a decent time waster. As a first time filmmaker, Taylor shows plenty of promise…” Elliot Maguire, UK Horror Scene

The Evil Gene is a very good tension builder as we see how people inside the facility have been genetically branded evil and this does offer up a moral question about whether if there was such a thing how would we deal with it. The only downside to this film is the almost lacklustre vision ending to the film…” Movie Reviews 101

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Filming Locations:

Silver Dream Factory, Anaheim, California, USA

IMDb | Official site


Ghosthunters (2016)

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‘Don’t follow too close’

Ghosthunters is a 2016 American supernatural horror film written and directed by Pearry Reginald Teo (The Curse of Sleeping Beauty; Dracula: The Dark Prince; Necromentia).

In the UK, the film was released on DVD on 5 July 2016 by The Asylum.

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Buy: Amazon.co.uk

Main cast:

Francesca Santoro (My Haunted House TV series), Stephen Manley (Crucible of Terror), David O’Donnell (Mega Shark vs. Mecha Shark; Halloween Knight), Phyllis Spielman, Liz Fenning, Crystal Web, Kjai Block, Kim Shannon, Kris Marconi, Anna Harr.

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Plot:

Henry (Stephen Manley), a paranormal investigator, recently lost his wife Martha (Phyllis Spielman) and daughter Gabby (Anna Harr) to captured and convicted serial killer Nightstalker, who enjoys torturing and killing his victims while dressed as a plague doctor. Henry asks his friend Neal (David O’Donnell) to help him use a machine he designed which can capture and convert ghosts into ectoplasm.screen-shot-2016-12-13-at-12-28-14

After the funeral of his family, Henry meets with Neal, Neal’s reporter girlfriend Amy (Francesca Santoro), machine programmer Jessica (Liz Fenning), and Devon (Web Crystal) at the Nightstalker’s house. The team sees many ghosts with their devices which includes ghost vision goggles. They finally manage to capture a ghost.

Devon becomes uncomfortable with the idea and leaves, but is killed by an unknown ghost. Amy begins to gain psychic abilities every time the machine is used. She sees how the Nightstalker killed his victims and senses a dark presence which is not a ghost, but she believes is the spirit of the Nightstalker…

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Reviews:

“Unfortunately, Ghosthunters is a disappointing dip into dullness for the director.  Production value is ok, albeit movie-of-the-week quality.  But the story is so lazy and the acting tuned so carelessly high that the final film reads as a passionless rush job with no memorable merit to speak of.” Culture Crypt

“The film’s only small flaw is a retread of a montage featuring what may be Gabby getting killed and the Night Stalker, which is seen quite a few times in different spots. However, getting past that, the film smoothly transitions into a twist that is unexpected and shocking that it delves into insanity, ultimately making this one of the stronger titles from the Asylum.” World Film Geek

“The editing was coherent and I found it refreshing that this horror film didn’t follow the stereotypical formula of ‘everyone splits up and dies one-by-one in a predictably boring fashion’. Stephen Manley has no trouble carrying the lead role and is dynamic and believable.” J. Henry, Amazon.com

Interviews:

Actor Stephen Manley talks to Brad Slaton for Terror Time

Cast and characters:

  • Francesca Santoro as Amy
  • Stephen Manley as Henry
  • David O’Donnell as Neal
  • Liz Fenning as Jessica
  • Web Crystal as Devon
  • Phyllis Spielman as Martha
  • Anna Harr as Gabby
  • Kim Shannon as Sally
  • Aaron Moses as Stanley

Filming locations:

Los Angeles, California, USA

WikipediaIMDb

 


Stepfather III (1992)

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‘Daddy’s been working in the garden… again!’

Stepfather III – aka Stepfather III: Father’s Day – is a 1992 made-for-TV British-American slasher horror film directed by co-producer Guy Magar (Children of the Corn: Revelation; Retribution) from a screenplay co-written with Marc B. Ray (The Severed ArmScream Bloody Murder). It is also known as Stepfather 3.

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Main cast:

Robert Wightman (Impulse), Priscilla Barnes (Trailer Park of TerrorEd Gein; The Devil’s Rejects), David Tom (The Hazing), Season Hubley (Children of the Corn V; Humanoids from the Deep, 1996) and Christa Miller.

Opening plot:

Gene Clifford (Robert Wightman), escapes from the same institution in Puget Sound, Washington he was placed in four years ago. He seeks out a back alley plastic surgeon (Mario Roccuzzo) to alter his appearance, using no anesthesia.

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After a few days, Gene kills the doctor by slitting his throat with a bone saw and makes his way to Deer View, California, where he acquires a new identity, “Keith Grant”, as well as a small cottage and a job at a plant nursery.

Nine months after crafting his new life, Keith meets divorced school principal Christine Davis (Priscilla Barnes) and her psychosomatically paralyzed son Andy (David Tom). Keith and Christine begin dating.

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When Christine’s possessive ex-boyfriend Mark Wraynal (Stephen Mendel) follows Keith home and confronts him, Keith offers to have a chat. Keith kills him with a shovel and buries the body in his garden…

Reviews:

“Wightman, with that prissy, scary, whiny voice makes a good fist of it, and seems more barmy than ever. The violence is genuinely gory, and climaxes with a death in a garden threshing-machine that surely defies all efforts at restorative surgery.” Time Out

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“Film lurches on without much credibility. Young David’s plight works up some tension, but characters are mostly flat (though Barnes makes the hard-luck Christine almost acceptable), motivations telegraphed, the story predictable. As for dialogue, it’s routine horror pic stuff.” Tony Scott, Variety

” …poorly scripted, all-too-familiar chiller — continuing a serial killer’s search for the perfect family — with gory plastic surgery, savage violence, and even some effective Boo! scenes. But robotic Wightman … is a weak substitute for previous death-dealing dad Terry O’Quinn.” Entertainment Weekly

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“Ultimately the movie’s faults come down to Wightman, who is no substitute for O’Quinn. Stepfather III is a 110 minute bad joke. Insipid acting, laughable dialogue and an incredibly cliched story. At times it overcompensates with it’s gore, to make up for it’s lack of everything else.” Robert Grimes, Unseen Films

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“The script by director Guy Magar and Marc B. Ray fails to exploit a sub-plot in which Wightman’s new stepson suspects him and uses his home computer to investigate. The use of a leaf mulcher does provide this excursion into bloody violence with a memorably sickening climax.” John Stanley, Creature Features

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Cast and characters:

  • Robert Wightman as The Stepfather/Keith Grant
  • Priscilla Barnes as Christine Davis
  • Season Hubley as Jennifer Ashley
  • David Tom as Andy Davis
  • John Ingle as Father Ernest Thomas Brennan
  • Dennis Paladino as Mr. Thompson
  • Stephen Mendel as Mark Wraynal
  • Jay Acovone as Steve Davis
  • Christa Miller as Beth Davis
  • Mario Roccuzzo as Plastic Surgeon
  • Joan Dareth as Bernice
  • Jennifer Bassey as Doctor Brady
  • Adam Ryen as Nicholas Ashley
  • Mindy Ann Martin as Tiffany Davis
  • Joel Carlson as Pete Davis
  • Sumer Stamper as Maggie Davis
  • Brenda Strong as Lauren Sutliffe
  • Mort Lewis as Funeral Priest
  • Adam Wylie as Easter Party Boy

Wikipedia | IMDb


Psychopaths (2016)

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psychopaths-2017-horror-movie

Psychopaths is a 2017 American horror film written and directed by Mickey Keating (Carnage Park; Darling; Pod; Ritual).

It is described as “a sprawling, psychedelic ensemble piece that follows several serial killers over the course of a single night.”

The film stars Jeff Daniel Phillips (The Ice Cream Truck; 31; Halloween II), Ashley Bell (Carnage Park; The Day; The Last Exorcism and sequel), Angela Trimbur (Trash FireThe Final Girls), James Landry Hébert (Ghost House; Carnage Park), Helen Rogers (Darling; Body; V/H/S), Matt Mercer (Beyond the Gates; The Mind’s Eye; Contracted and sequel), Mark Kassen, Jeremy Gardner (The Mind’s Eye; The Battery; Spring), Padraig Reynolds (director of The Devil’s Dolls; Rites of Spring).

Principal shooting on the Bad Camal/Glass Eye Pix/High Window Films production wrapped on March 4 and the film is now in post-production.

Keating was also a producer, along with Jenn Wexler, William Day Frank, Cam McLellan and Al Lewison. Larry Fessenden served as executive producer.

IMDb | Facebook | Image credit: Entertainment Weekly


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